Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Willem Wissing
Willem Wissing. Mary Stuart wife of William III, prince of Orange.

ID: 91217

Willem Wissing Willem Wissing. Mary Stuart wife of William III, prince of Orange.
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Willem Wissing Willem Wissing. Mary Stuart wife of William III, prince of Orange.


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Willem Wissing

Willem Wissing, also known as William Wissing (1656 - 10 September 1687), was a Dutch portrait artist. He was born in either Amsterdam or The Hague, and studied at The Hague under Willem Doudijns (1630 - 97) and Arnoldus van Ravestyn (1615 - 90). In 1676, he moved to England, where he studied with and assisted Peter Lely. After Lely's death in 1680, Wissing emerged as his most important pupil. Godfrey Kneller was the only contemporary portrait artist in England to rival Wissing. Wissinges royal sitters include Charles II of England, Queen Catharine of Braganza, Prince George of Denmark and James Scott, 1st Duke of Monmouth.  Related Paintings of Willem Wissing :. | The Harsh and The Pearly | Sexy body, female nudes, classical nudes 17 | Mrs. Richard Yates | Portrait of Izabela Chopin. | La Legende d'Arachne (Les Fileuses) (df02) |
Related Artists:
john D.rockefeller
new york metropolian museum, cloisters collection
Conrad Faber von Kreuznach
painted Portrait of Johann von Glauburg in 1545
Raffaellino del garbo
Italian Early Renaissance Painter , ca.1466-1524 Italian painter and draughtsman. According to Vasari, he began as the most gifted assistant of Filippino Lippi and the most promising painter of the new generation but never fulfilled expectations, deteriorating into mediocrity and worse. Raffaellino's first known work is the frescoed vault of a small antechamber off Filippino Lippi's Carafa Chapel in S Maria sopra Minerva, Rome, uncovered during restoration in the 1960s. It was decorated with pagan themes, to Filippino's designs, apparently after the main chapel was completed in 1493. Filippino's influence is evident in the all'antica detail and animated figure style, to which Raffaellino brought a youthful freshness and charm. Vasari, in his account of the vault, likened it to an illuminator's work. It has been suggested that Raffaellino remained in Rome and worked with Bernardino Pinturicchio in the Borgia apartments in the Vatican, where some frescoes of 1495 show stylistic affinities with Raffaellino's work in S Maria sopra Minerva.






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